Wednesday, 31 December 2014

final project fashion to wear


This is my design. its about punky as we had been given some theme like retro,vintage etc.but i prefer punk.as its a genre that suit me.i design a punky monkey as i use to have a monkey and my mother just love it so much.i coloured it blue as its my mother's favourite. after that i put a pink punky hair as i love pink and its just simple design and i just love it so much











final project pop up book

This is the content of my pop up book..its about building.







Monday, 22 December 2014

FINAL PROJECT

THIS IS SOMETHING THAT I DID FOR PRACTISE




THE PROGRESS




THIS IS THE RESULT

LANDSCAPE


I USE CHINESE INK AND ART LINE PEN TO MAKE IT LIKE THIS



SHOE


Using artline pen to create the shading. As for the shading technique, I have used the hatching, crosshatching, contour hatching, and random techniques. And this is the result.






RENDERING SHADING TECHNIQUE

CROSS-HATCHING





CONTOUR HATCHING



                                                                  STIPPLING/DOTS






HATCHING

Sunday, 14 December 2014

Colour Toning







Colour Wheel



  1. - Primary colors are colors that cannot be created through the mixing of other colors. They are color in their own right. RED, YELLOW, BLUE.

  2. Secondary color are colors that produced by mixing two primary colors. VIOLET, ORANGE, GREEN are secondary colors. BLUE + RED = VIOLET; RED + YELLOW = ORANGE; YELLOW + BLUE = GREEN. 
  3. *YELLOW, YELLOW ORANGE, ORANGE, ORANGE RED, RED, RED VIOLET, VIOLET, VIOLET BLUE, BLUE, BLUE GREEN, GREEN, GREEN YELLOW.








Friday, 12 December 2014

Color Temperature





The color temperature of a light source is the temperature of an ideal black-body radiator that radiates light of comparable hue to that of the light source. Color temperature is a characteristic of visible light that has important applications in lightingphotographyvideographypublishingmanufacturingastrophysicshorticulture, and other fields. In practice, color temperature is only meaningful for light sources that do in fact correspond somewhat closely to the radiation of some black body, i.e., those on a line from reddish/orange via yellow and more or less white to blueish white; it does not make sense to speak of the color temperature of, e.g., a green or a purple light. Color temperature is conventionally stated in the unit of absolute temperature, the Kelvin, having the unit symbol K.
Color temperatures over 5,000K are called cool colors (bluish white), while lower color temperatures (2,700–3,000 K) are called warm colors (yellowish white through red).[1] This relation, however, is a psychological one in contrast to the physical relation implied by Wien's displacement law, according to which the spectral peak is shifted towards shorter wavelengths (resulting in a more blueish white) for higher temperatures.
Warm Color




Cold Color

Split Complementary and Color Harmony








Complementary colors are pairs of colors which, when combined, cancel each other out. This means that when combined, they produce black, or if colored light (rather than pigment) is used, they produce white.[1] When placed next to each other, they create the strongest contrast for those particular two colors. Due to this striking color clash, the term opposite colors is often considered more appropriate than "complementary colors".
The pairs of complementary colors vary depending upon whether the colors are physical (e.g. from pigments), or from light. These change the way in which the color is made, and therefore change the color model which applies. For pigments, subtractive colorsapply, so the complementary/opposite color pairs, are red & greenyellow & violet, and blue & orange. In the RGB color model, which applies to colors created by light, such as on computer and television displays, the complementary/opposite pairs are red & cyan, green & magenta, and blue & yellow.
Since color printing ink does not produce color by pigmentation, but instead produces color by masking colors on a white background to reduce light that would otherwise be reflected, the same mix for producing black applies as for light producing white, i.e. the complementary/opposite pairs are red & cyan, green & magenta, and blue & yellow. The most clashing colors to the eye may still be as for 
painting.






Color Harmony



Harmony can be defined as a pleasing arrangement of parts, whether it be music, poetry, color, or even an ice cream sundae.


In visual experiences, harmony is something that is pleasing to the eye. It engages the viewer and it creates an inner sense of order, a balance in the visual experience. When something is not harmonious, it's either boring or chaotic. At one extreme is a visual experience that is so bland that the viewer is not engaged. The human brain will reject under-stimulating information. At the other extreme is a visual experience that is so overdone, so chaotic that the viewer can't stand to look at it. The human brain rejects what it can not organize, what it can not understand. The visual task requires that we present a logical structure. Color harmony delivers visual interest and a sense of order.

In summary, extreme unity leads to under-stimulation, extreme complexity leads to over-stimulation. Harmony is a dynamic equilibrium.




Color Value








Value is defined as the relative lightness or darkness of a color. It is an important tool for the designer/artist, in the way that it defines form and creates spatial illusions. Contrast of value separates objects in space, while gradation of value suggests mass and contour of a contiguous surface. In the drawing on the right, value contrast separates the artichoke from the background, and the separate leaves from one another, while gradation suggests the curves of leave surfaces and of the whole form.


These are the color value that we make using primary color; YELLOW, RED, BLUE. Starts with the color, we keep on adding white color to get the lightest color.